It's fitting that nothing fits right now. I spent a hearty chunk of yesterday messing with my blog template unable to tolerate a single color, convinced that the perfect combination of hexidecimals would finally bring me peace.
I read a sentence yesterday that I liked, that I wish defined me: "Daryl stood behind his beliefs but didn't take himself too seriously." Is it possible to hold onto your convictions without wanting to strangle everyone who trods upon them? That's been a challenge for me lately.
We found Charlie Post's blog. I think VVB found it by accident. Or divine intervention. I'll have to ask her which. Charlie Post has no idea -- about so many things. I wonder if there are people whose lives I have passed through and changed irreparably, without even knowing it. Not even for better or for worse, just left a giant streak of rainbow on their window to the world. Because if I emailed Charlie Post again and told him that his pawprint was firmly fixed on my name, he would say, "Who are you again? Were you the blonde one that danced naked in the dirty practice space, by the red light of the Exit sign, so I would play Salvation?" And I would tell him once again, "No. I was always the quiet one. Curled in the corner of the room, violet hair covering one eye, awkward and intense."
If I ever had to be stuck in an elevator for the rest of my life with a handful of people, I'd want Charlie to be there. And Jon. And Jaymiles. Because then I could write forever, never stopping, not needing to eat, gaining sustenance off of the creative energy they threw off their skin with each breath.
See the thing is, well... I will distill it and sum it up, doing the experience absolutely no justice: 1993. Wonderland Records, CT. Mighty Purple's practice space. Jaymiles was a gem, a slice of human so rare that they should designate his birthday as a National Holiday. Jaymiles came from DC and gave us a casette tape of a 4-track recording of his friends in VA. They were called Ugly. All of us fell in love with Ugly. Ugly was the soundtrack to our lives for a good year or more. We lived the songs. Ugly came to New Haven to play. We planned on marrying Charlie Post, all of us. Except he wasn't what our feverish little teenage hearts had in mind. He was real. And reality was the last thing we wanted.
Twelve years later, Round Boy Laughing, the CD that came out of that 4-track recording session, still freezes me and lights me on fire simultaneously. It's still good. And I can't say that about much of what I listened to when I was 17. The reality of Charlie Post has seeped into my brain and now I understand.
Last year I wrote a novel in 27 days and the main character was a direct descendant of Charlie Post. I didn't realize it when I began, but I was sure of it when I was finished. And if I should tell dear Charlie of his appearance in my fiction, he would scratch his head. Last time we spoke, during the writing of said book, he was uninspired and disenchanted. Unhappy with himself, with music, with Seattle. "Seattle is a dead museum," he said. That's a line from Burroughs. Though Burroughs was talking about New Orleans. Charlie said, "I have a studio set up in my room but my dreams of playing music for a living have left. It's too difficult."
But then VVB found the blog. It's brand new and to see its existence brought me such joy. I told him he had to keep making the music. Because if he didn't, there would be a hole in the world where his music was supposed to be. Because the Universe had saved a spot for it.
Lately I've been writing as though someone is going to come yank the words away from me. Like I'm guarding each one as I give birth to it. Holding on too strongly. I feel hunted.
I could tell my life story in a stack of Polaroids. The kind you color with magic markers. The ones that pool and splotch when you press on them too hard.
I stood in my abandoned apartment last night. I've been away from Boston for a year. This time last year, I wrote: "…the thought crossed my mind that I would be standing alone on a street in Seattle in June with no job, no apartment, no friends, and no good reason to be there. That I'd forget why I was there. And I'd freak out."
I've been getting up early to write every morning. I go to the café on The Ave and drink too much dark roast and write for an hour and a half. Longhand, on paper. And I keep coming back to wanting to work on my novel. I pulled it out again this week. Except I couldn't put down a single word. Read it a bunch. Changed the font. The background color. Is that a start? Am I allowing myself to get used to the idea? I've been in creative stagnance for many months.
Does this correlate with finding Charlie Post again today? Finding that he is up and running again makes me feel like I should do the same.
It's spring.
And I've got a fresh pack of Polaroid film.

